pianist, opera coach, conductor, writer
Here in Austin the Butler Opera Center is gearing up for performances of Sweeney Todd this weekend. We’re doing it with the reduced orchestration, which is truly remarkable – I am always impressed by the amount of color and sheer sound that can come from a small group. It’s a very spare … Continue Reading →
I’m winding up another wonderful week with the artists of the Domingo-Cafritz program at Washington National Opera. It’s a busy time at the house. While we worked on everything from Rosenkavalier to Traviata to Nozze di Figaro to Magic Flute (in a cool new English adaptation by Kelley Rourke, who’s … Continue Reading →