KATHLEEN KELLY’s projects and repertoire are wide-ranging and diverse. From Mozart to commissioned works by her peers, she is both deeply experienced in the classical vocal canon and engaged in new creation. During the pandemic, she is diving into coaching, performing, and creating in virtual spaces with many longtime collaborators. Her 2020-21 season will include recitals with Cincinnati Song Initiative, Jennifer Cresswell, and Ken Shaw, and she will conduct performances for Opera Columbus and Victory Hall Opera. This season will also see the premiere of INTERSTATE, an opera by Kamala Sankaram with a libretto by Kathleen and Jennifer Cresswell. Kathleen has also written a new English adaptation of La boheme for Opera Columbus.
The first woman and first American named as Director of Musical Studies at the Vienna State Opera, Kathleen’s operatic experience is the backbone of her career. Trained at the San Francisco Opera, she joined the company’s music staff and moved from there to a long association with the Metropolitan Opera. She was head of music at Houston Grand Opera, and music director of the Berkshire Opera before moving to Vienna. Since returning to the USA in 2015, Kathleen has conducted at the Glimmerglass Festival, Wolf Trap Opera, Arizona Opera, El Paso Opera, Opera Columbus, the Merola Program, and the Alexandria Symphony, and has been a regular visiting coach for the prestigious young artist programs of Chicago Lyric Opera, Los Angeles Opera, Houston Grand Opera, Washington National Opera, and the Canadian Opera Company. Recently she joined the Cincinnati Opera to assist on the workshop of Matthew Aucoin’s Eurydice, slated for a 2019 premiere with the Los Angeles Opera.
Kathleen’s recital career includes appearances at Weill Hall, Zankel Hall, the Kennedy Center, Vienna’s Musikverein, the Mahlersaal of the Vienna State Opera, the Neue Galerie, the Schwabacher Series in San Francisco, and the Tucson Desert Song Festival. Her recent collaboration with Jamie Barton has won wide acclaim, and her partners have included Christine Goerke, Michael Kelly, Troy Cook, Amber Wagner, Susan Graham, Albina Shagimuratova, Valentina Nafornita, Sorin Coliban, Joyce DiDonato, Ariana Strahl, Martha Guth, Karen Slack, and Jennifer Holloway. She has curated art song series for the Houston Grand Opera and the Vienna State Opera, and is currently involved in the creation of new song through Sparks and Wiry Cries’ songSLAM events.
In demand as a mentor of rising artists, Kathleen has given masterclasses and workshops across North America, among others at the University of Toronto, the Schulich School at McGill University, University of Cincinnati, Baylor University, Vanderbilt University, University of Texas at Austin, University of Michigan, the Peabody Conservatory, University of Washington, Westminster Choir College, and Interlochen. She has served on the juries of the Wirth Prize at McGill University, the Dallas Opera Guild competition, the Kristin Lewis Foundation Scholarship auditions, the Cooper-Bing competition, and the regional Metropolitan Opera National Council auditions.
A published poet and essayist, Kathleen has created several new opera translations and libretti. Her English adaptation of Hansel and Gretel, commissioned by Tri-Cities Opera, is now in use alongside her chamber orchestra arrangement of the work. For Arizona Opera, she created a multilingual version of Emmerich Kalman’s Arizona Lady, and she wrote the libretto for David Hanlon’s Wolf Trap premiere Listen, Wilhelmina!